Monday Markets - Sonder Magazine, June 30, 2019 (via @MagazineSonder)

Sonder Magazine is reading for its first issue, on the topic of its name:

We are a new not-for-profit publication, hoping to publish your creative work. We are focused on the idea of sonder, the self, and others.

If you’re thinking, “huh what’s sonder eh ye arseholes making up words,” it’s that existential feeling you get when you’re walking down the street or sitting in the pub and are overcome by the realization that everyone you pass is just out there doing their own thing, thinking their own thoughts and living their own lives. It’s kinda freaky.

We want this zine to reflect everyday people and how extraordinary each individual is. Sonder doesn’t have to be a solitary feeling, which is why we want to put it all together in this little haven for individuality. We want people to open up this publication and find themselves reflected in other people’s work.

For their first issue, Sonder’s editors Orla and Sinéad are looking for short fiction and creative essays up to 2,000 words, flash fiction up to 700, and up to 40 lines of poetry. Although I normally don’t include non-paying markets (there are plenty listed in Duotrope if you want to find them*), I do support new magazines; this is Sonder’s first issue, and they note:

Unfortunately we cannot guarantee a contributor’s fee, but that is our overall aim.

You’d be surprised how many established literary markets don’t even acknowledge the concept of paying their contributors.

Submissions for issue one close June 30th.

Listing here:

*Oi, I’ve been sick, allow me a little snark

Monday Markets - Truancy Magazine (via @MagazineTruancy)

Truancy Magazine is reading until September 30:

Truancy is a semipro market for revised folktales, legends, myth and other traditional narratives that have been made new by your retelling or your original fiction that has these folkloric elements or mythic elements.

In your submission, explain the elements and resonances from traditional narratives (folklore, myths, legends) that exist within your tales, or explain how you’ve made something new from these tales.

The Editor is after original and reprint short fiction between 1,000 and 3,000 words, paying USD $2c/wd and $25 USD respectively. She’s also interested in poetry at $15 USD/story, and reprint colour art. Truancy looks like a really great magazine (in terms of attitude and commitment to paying for content while being a small publication) and you should support them.

Listing here:

Monday Markets - America and I: An Immigrant Story in the Age of Dissent, Aug 31, 2019

Mark F, Susan O’Neill and Mark Budman are looking for around 30 flash pieces from first and second generation immigrants to America, or immigrants with a link to America:

Though the theme presumes strife and discord, we are not looking specifically for anger or #resistance as defined by Twitter, or anti-Trump—unless, of course, they are germane to the story. As a matter of fact, we are more interested in stories or reconciliation than in-fighting (we have more than enough of the latter). That said, the anthology will accept well-crafted stories of any political—or apolitical—orientation, and any emotional character, as long as they don’t call for violence and are respectful to other peoples’ feelings and identities.

Payment is a token honorarium for all authors, as well as a print copy for American residents. They’re accept flash fiction up to 1,000 words and a deadline of August 31, 2019.

Literarium listing yonder:

Monday Markets - Hear Me Roar Anthology, Sep 1, 2019, (HT: @Incognitiously)

Everyone loves a good dragon story! Rhonda Parrish is reading for a new anthology about women and dragons:

I’m looking for stories about empowered women and dragons. Women slayers, shifters, lovers and riders are all welcome as long as the women have agency and the dragons are awesome.

While I’m being purposefully vague here, I will be looking for the greatest possible diversity in stories–not only in characters, but setting, dragon-types, plot, voice and style. If you’ve read any of my other anthologies you should have a fairly good idea of what I’m looking for and if you haven’t, maybe now is a good time to change that LOL

NOTE: This anthology is only open to submissions from members of Rhonda’s mailing list, so get on that if you want the submission URL.

Payment is a token $20 USD and a paperback copy, and she is reading until September 1, 2019.

Literarium listing is here:

Monday Markets - Recognize Fascism, June 3, 2019

And we’re back! Last Monday was a public holiday in Australia and instead of working through it like I usually do I did some exercise and forgot to post here, whoops.

Crossed Genres recently published their ‘Resisting Fascism’ micro-anthology, and they’re supplementing their collection with their next call for submissions: ‘Recognize Fascism’:

We’re looking for personal stories of the moment when people see the fascism in front of them for what it is, accept it as real, and make the choice to fight it. Who are the canaries in the coal mine? When can the long-hidden voice no longer be ignored?

They’re paying pro rates at 8 US c/word, looking for unpublished works between 250 and 5,000 words. Get submitting - June 3 is the cut-off.

Literarium listing here:

Monday Markets - Alien Dimensions

Alien Dimensions is open and looking for your hard science fiction stories. I like how the submissions guidelines page has a tl;dr section at the top:

In summary:

3,500-4,500 words only. “Set it in space, in the far future, and include some friendly non-humanoid aliens helping to solve a pseudo-scientific problem. Written in the third person.” US$10 flat rate.

That doesn’t leave me much to add, although there is some more detail:

  • Fast-paced

  • At least one great idea

  • Preferably written in the third person (or if you prefer first person writing, do a lot of head jumping, and include lots of dialogue)

  • Set in the future, at least 100 years hence. Happier with 1000 years hence. Let’s avoid 20th/21st century baggage and just tell an original story

  • Some kind of non-humanoid aliens present, usually friendly

It doesn’t pay a lot, but if you have stories of this flavour it might be worth checking out.

Literarium listing here:

Monday Markets - Augur Magazine (via @augurmag)

Augur is a Canadian speculative fiction magazine looking for your submissions:

We’re looking for dream-touched realism, slipstream, fabulism, magical realism (note: educate yourself before you claim this term) and, for lack of a better descriptor, “literary” speculative fiction. Our perfect submission defies categorization—pieces that could be “too speculative” for CanLit magazines or “not speculative enough” for speculative magazines.

That said, we’re no strangers to rich realism, high fantasy, and science fiction, so if you think you match our tone, give us a try. We recommend checking out our preview issue, free online, or grabbing an issue, to see what we’ve published before.

They have reading periods ending January, May and October each year but I don’t have precise date ranges. I’ll update the entry when I find out (or if one of you knows, feel free to update it for the rest of us).

Augur buys fiction pieces between 1,000 and 5,000 words, paying 6c CAD per word ($60 minimum). They’re also after poetry, paying $40 a piece. Check out their site and see if you’re inspired!

The Literarium listing is over here

Monday Markets - Thrilling Words Magazine

Thrilling Words magazine is looking for a very particular (and in my opinion, cool) pair of story submissions:

The basic idea behind Thrilling Words is to ask authors to produce two flash fiction stories. Stories that are related but not dependent on each other. One story will be posted on the public website and social media, the other is put in the members area.

As for the style of story we are looking for, it can be anything that has a speculative element. The nature of the speculation, be it fantasy, sci-fi, superhero or just plain surreal is not important, the more important thing is to have fun with the story. And it’s this last point, having fun, that’s the most important stylistic element. We are looking for stories that trace their heritage more from pulp traditions than literary. Stories that make you feel more than make you think. Stories that have a sense of humor even if they aren’t humorous stories. Though we do love funny stories.

Specifically, they’re after a pair of flash stories totalling 2,000 words, ideally set in the same speculative universe, or otherwise related. Definitely no cliffhangers or serial stories here.

Pay is $160 USD for the pair of stories, which is pro-rates at this length.

Check them out here:

Monday Markets - SNAFU: Last Stand, Jun 30 (via @CohesionPress)

It’s time again for another Cohesion Press Military Horror anthology: SNAFU: Last Stand

Think 300, the Alamo, the Battle of Mirbat, the First Battle of Mogadishu, the Battle of Hel, or Custer’s Last Stand (but with unnatural monsters)… anything that can be called a high-action potentially-last stand monster story. For level of unnatural creature we will give priority to, think Dog Soldiers or Aliens. We want lots of monster goodness. We will also be looking for soldiers, mercs, police, private security/paramilitary. Hell, even a group of bodyguards protecting some arsehole druglord on his jungle property.

Just ensure the last stand aspect is both overt and unique, and don’t forget monsters!

Payment is 5c AUD/word for stories on the Last Stand theme between 2,000 and 10,000 words. Submissions close June 30, 2019. Tim Miller (of Deadpool, Terminator, Love, Death & Robots fame) is writing an introduction to this one. Get your name out there!

Literarium listing is here:

Monday Markets - Translunar Travelers Lounge magazine

Translunar Travelers Lounge is open for another two weeks:

Broadly defined, the type of fiction we are looking for is “fun”. Yes, that descriptor is highly subjective, and ultimately it comes down to the personal preferences of the editors. However, here are a few road signs to get you started on the path into our hearts.

A fun story, at its core, is one that works on the premise that things aren’t all bad; that ultimately, good wins out. This doesn’t necessarily mean that your story has to be silly or lighthearted (though it certainly can be). Joy can be made all the more powerful when juxtaposed against tragedy. In the end, though, there should be hope, and we want stories that are truly fun for as many different kinds of people as possible.

As we are a speculative fiction market, all stories must have a speculative element to them.

Payment is 3c USD/word with a minimum of $20 for fiction, up to 5,000 words. They’re a biannual magazine so odds are you won’t be able to submit to them for another 6 months, so get on it!

Literarium listing here:

Monday Markets - Aquila magazine (via @AquilaMag)

Aquila magazine out of the UK is a pretty interesting market for children’s fiction and non-fiction. I get the feeling it’s pretty hard to get in to, but there aren’t a lot of venues for work aimed at that audience:

AQUILA has a dedicated team of regular contributors who are experts in various subject areas. Many are teachers in their field, and so they’re used to communicating with children. Occasionally unsolicited articles are published if they are highly original and engaging, and based on specialized knowledge. Articles and stories are planned up to a year in advance. A selection of fiction is made each summer, the themes for the coming year are posted on the website in September, and most non-fiction is commissioned by the end of November for the following year.

They pay 90 GBP for fiction and non-fiction (note: You do need to query for non-fiction). Fiction should be around 1,000 words and features around 800.

Literarium listing is here:

Monday Markets - Dreamers & Makers magazine (via @SanguinePress)

Sanguine Press is reading for their semi-annual e-zine, Dreamers & Makers. They’re reading for science fiction, fantasy and horror on the theme:


What is the cost of defiance and who really ends up paying? What do we give up in unquestioned obedience, and is it tantamount to capitulation?

Give in, give up, or go all out--we want to see it all.

Successful submissions of short stories (up to 3,000 words) and art on the theme pay $120 per piece. All submissions must feature PoC and the editors are open to all explorations of intersectionality.

Our Literarium listing here:

Monday Markets - Tales from the Space Force, April 15, 2019 (via @bcubedbob)

B Cubed Press, tongue firmly planted in cheek, is looking for fiction and poetry to celebrate/discuss/mock the recently announce Space Force, one of the more absurd president-pleasing announcements coming out of the USA government:

Okay, how could we not. Now that America has an official Space Force, we need to incorporate it into literature.

What to do we want? Camp? Satire? Bug Eyed Monsters? All good. We’ll do serious stories, too. Mostly we want good stories. And if I am to confess, we want campy stories. We want the golden age of pulp to live again.

Political bends are allowed.

Poetry and essays are allowed.

Ask yourself, what would an American Space Force do? Will there be a space wall around the International Space Station? Will NASA and the Space Force get along? I have no idea, but I’m leaving it up to you to tell us. Here at B Cubed, we leave the writing to you.

It’s ripe for a good story or poem, and they are open to submissions up to 5,000 words. They’re paying 2 US cents/word for unpublished and reprint fiction and poetry, as well as royalties. There’s also an option for a flat $25 USD for particularly short poetry. They are reading until April 15, so flex your satirical, pulpy and/or campy fingers and start writing.

Literarium listing is here:

They’re also reading for Alternative Apocalypse, with the same closing date and terms:

Monday Markets - Nox Pareidolia anthology - April 30, 2019 (via @NightscapePress)

Editor Robert Wilson is looking for Weird stories with ambiguity for Nightscape Press’s latest anthology:

The theme is heavily inspired by Robert Aickman's fiction. Initially, I envisioned a book of stories where it is ambiguous as to whether the nature of the horror/weird element is supernatural or not. But I've recently decided to make that a more openly interpreted theme of ambiguous horror/weird fiction. Whether it be ambiguously supernatural or whether what exactly has or is happening is ambiguous, or any creative idea playing off of ambiguity could be interesting to see explored. But the element that is ambiguous must be intrinsic to the story.

Nightscape Press is paying 6 US c/word up to 6,000 words (there is some leeway for longer stories, but pay is capped at 6,000 words). Submissions close at the end of April, so get writing.

Literarium listing yonder:

Monday Markets - Thinking Horror Journal (via @thinkinghorror)

Thinking Horror is paying for non-fiction essays about horror literature:

THINKING HORROR is a journal dedicated to exploring horror in literature exclusively. The unofficial theme of the literature journal is “Why Horror?”

We are looking for non-fiction articles about the genre written by the people who generally think most about it.

Interested contributors must submit a short proposal to the editors outlining the proposed topic. It needn’t be long, just so long as it communicates the topic and the goals of the essay. This will help prevent repetition, or work on something that ultimately does not fit the journal’s intentions.

Submissions are via article proposal (It’s marked ‘Query first’ in our directory'), so if you try to record a direct submission in Literarium you’ll see a warning saying something along the lines of ‘hey, you don’t have an accepted Query submission’. Remember to RTFG (ie, Read the … Friendly … Guidelines.

Essays on the topic up to 1,000 words pay $20 USD per piece.

Our listing here:

Monday Markets - The Once and Future Moon - Apr 30, 2019 (via @Eibonvale)

Eibonvale Press is reading for their new anthology all about our wonderful moon:

The “Once” aspect will deal with how older cultures / earlier civilisations / people in history saw the Moon, considered and reflected upon the Moon. Think Verne, Wells, Godwin. Think mythology. Think the Sumerians. Think the Ancient Greeks. Think beliefs held by vanished cultures. These stories do not have to be factually, scientifically accurate; the Moon element could be seen as poetic, figurative, imaginative, etc. These stories will likely form one third of the book. Possibly half.

For “Future”, I am looking at both the liveable near-future (e.g. up to 50 years’ time) and slightly further ahead as well. I want stories grounded in how we will live on / adapt to / use the Moon in the near and further future. What issues might we face – some of which have yet to be even thought of by NASA?

I will also look at stories about how the Moon will affect our lives going forward. Will it be the site of the next war? Will it be the focal point of a conflict between science and religious forces (consider how the Moon is central to many religious practices)? What happens if the Moon starts to move closer to us or to move further away? What if the Moon was badly damaged or destroyed? What if the Moon acquired a companion?

They’re accepting themed original submissions between 1,000 and 5,000 words, paying a token 10 GBP and a contributor’s copy. Eibonvale looks like they make beautiful books, so might be worth looking into if the topic inspires you. You have until the 30th of April!

Our listing to here:

Monday Markets - Letters from the Grave anthology - Mar 31, 2019 (via @OrbanninBooks)

Orbannin Books is open to their first anthology, ‘Letters from the Grave’ and looking for submissions:

The epistolary form has a long, proud tradition in the horror genre. From the classics such as Frankenstein and Dracula, through modern classics like World War Z. We want to see your fresh takes on the idea. Remember that the epistolary genre doesn’t just include letters. It can be stories created from nearly any kinds or combinations of documents, i.e. crime scene reports, diary entries, interview transcripts, etc. This can include modern electronic and digital “documents” such as texts, voicemails, Tweets, blog posts, and more. Original stories only, no reprints.

They’re reading stories up to 10,000 words, and paying 5c USD/word and a paperback contributor copy. Deadline is 31st of March 2019, but they’re already sending out acceptances so get in quickly before it fills up.

Our listing to the anthology here:

Orbannin books also accepts novella and novel length submissions, across speculative fiction genres (including weird west). Our listing for that is here:

Monday Markets - Buckshot Magazine

Buckshot Magazine is open and ready for your flash-length fiction:

We are looking for fresh, engaging and previously-unpublished stories of up to 2000 words in every genre and style (plus the occasional bit of poetry). Send us the pieces you're proud of -- words you want to see in print.

They pay $25 CAD via PayPal for all genres up to 2,000 words. Simultaneous submissions accepted, which is always a nice bonus. They also accept up to three stories per submission (once per week), and promise to respond within 24 hours.

Check our listing out here: and their Patreon site here

Monday Markets - Apparition Lit (via @ApparitionLit)

Apparition Lit is looking for speculative poetry and short fiction, on their quarterly theme:

Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.

Send us stories with enough emotional heft to break a heart, with prose that’s as clear and delicious as broth. We’re looking for proactive characters and beautiful language, all wrapped up in a complete story.

They pay a semi-pro 3 US cents/word for pieces between 1,000 and 5,000 words, and $15USD for poetry up to 2 pages. Make sure your piece addresses the theme!

Literarium listing is here:

Monday Markets - Electric Spec (via @electricspec)

Electric Spec is an established online magazine looking to publish speculative fiction and art:

Electric Spec is a not-for-profit speculative fiction magazine published four times per year. Our primary goal is getting great speculative fiction into the hands (or screens) of readers. Since 2005, we've been publishing short stories from authors all over the world. We've worked with all kinds of authors, from published professionals to new writers. We also believe in the value of the editorial process, and we edit every story we publish.

The editors want fiction between 250 and 7,000 words, paying $20 USD per piece. They’re always open to submissions and publish quarterly.

Literarium listing is here: